Georgia: ilikemusic because... some songs make you wanna dance around till your dizzy, some make you cry your heart out, and some will be playing during an amazing moment and you'll remember it forever.
BERNARD: ilikemusic because... IT MAKES ME RELAX GET ENJOYED AND HAVE A PIECE OF MIND AND FUN
Aaron: ilikemusic because... like Weedeater Deluxe!
simon f baker: ilikemusic because... you can transcend the confines of the material world with it, it's probably better than shagging in fact. There is virtually nothing more satisfying than when a load of chords and words suddenly come together into a song ; suddenly everything in life seems to fit and make sense once more.
Omid16B: ilikemusic because... It makes me feel whole and makes me feel like I have my feet on the ground. It makes me feel love again and reminds me of what we are. It allows me to express myself.
SA: ilikemusic because... myspace.com/sunshineapathy
FRANKYNERO: ilikemusic because... its the only way i can really express myself
iona starr: ilikemusic because... it soothes my soul ;) x
Aaron, The Delays: ilikemusic because... It makes everything seem like an incredible film. And it does - it actually does! hahaha! I told the truth and everything....hahaha!Bomb the Bass is back, but put away that smiley face: this is no nostalgia trip. With Future Chaos, Tim Simenon revamps his long-running project to produce a record that's fresher than anyone might have expected from an outfit that got its start in the '80s. Tickling tweeters and pushing the limits of low-end, the album hovers confidently on the cusp between futurism and vintage, boasting the sort of confident song writing that's a rarity anywhere, much less in electronic music. Simenon calls it 'electronic music with soul', but that barely begins to describe it. At once lush and chilly, intimate and alien, Future Chaos is a synth-rich album boasting guest vocals from Jon Spencer, Mark Lanegan, Fujiya & Miyagi's David Best, Toob and Paul Conboy.
It's been 21 years since Bomb the Bass' Beat Dis helped usher in the era of sampling, acid house and DJ culture. It's easy to forget how monumental the single was. Going straight to number two in the UK charts, the song's success quickly propelled Simenon from underground DJ to in-demand knobsman. Long before Marc Ronson or Timbaland, he was the go-to guy for the Midas Touch. In those early years, he co-produced Neneh Cherry's stone classic Buffalo Stance and Seal's Crazy—not a bad run for an upstart fresh out of sound engineering school. Throughout the '90s, Bomb the Bass continued to blaze trails with the classic Bug Powder Dust, the trip-hop blueprint Winter In July and the dubby Clear. All the while, Simenon racked up production and remix credits for acts like Depeche Mode, David Bowie, Curve, Björk and Massive Attack. Just as important were his many collaborations with a surprising range of artists: J. Saul Kane, Jah Wobble, Sinéad O'Connor, Hector Zazou, On-U Sound—even actress Minnie Driver turned up in the mix.
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Also See: ilikemusic.com