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Lovebug: ilikemusic because... Music feeds my soul and gets me through the day especially if I'm down and ned a pick me up :-)
lolo: ilikemusic because... music is where some people display affection, show emotions and actually showing off who they are and their thinking. it is special unlike anything cos it goes out and never comes in back but in others.
iona starr: ilikemusic because... it soothes my soul ;) x
dawn Leonetti: ilikemusic because... it makes me spin, giggle and bubble up - kinda my own Rice Crispies cereal ("snap, crackle, pop") in the audio form...
Kevin Michael: ilikemusic because... I’ve been singing my entire life. I cannot go without listening to it or singing for a day. I wake up to it, I go to sleep to it, I am music.
Georgia: ilikemusic because... some songs make you wanna dance around till your dizzy, some make you cry your heart out, and some will be playing during an amazing moment and you'll remember it forever.
shantel: ilikemusic because... it is a passion and a hobbie to when i sing and dance i do it from my soul
prince of persia: ilikemusic because... i havent any other way
MARS: ilikemusic because... tom kelly is a great producer and Mark Angelo Studios in London is the best place to record your record!Four years on and Greg Wilson finally finds time to complete this long-overdue sequel to his scene defining 2005 compilation.
Whilst Credit To The Edit Volume 1, bar a couple of exceptions, focused solely on tracks originally released in the 70's and 80's, Volume 2 brings things right up to date, with two thirds of the album made up of recordings from recent years, all of which have done the business for Greg in todays clubs. Volume 1 connected the past to the present, Volume 2 provides a perfect illustration of how the present is being shaped by the past, with artists from both sides of the Atlantic producing great new tracks that take their inspiration from the type of music highlighted in the first volume, neatly serving to bring the project full circle in the process.
The current underground "Disco" scene, within which the re-edit plays a central role, is no longer purely the domain of an older audience who've delved back into what came before, having grown tired of the existing 4/4 formula that has dominated since the Rave explosion of the late 80's. Nowadays it's increasingly becoming the dance music of choice for a vibrant younger crowd who weren't born when many of the records played were originally released.
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