We have 3 copies of his 2nd compilation album: For Lack of A Better Name up for grabs!
Win a copy of his new album Soulbook, a collection of classic 60-70's soul favourites!
Win a pair of guest list tickets to see their headline show, Tue 17th Nov, Heaven, London
Jo Whiley: ilikemusic because... It makes me laugh and it makes my cry and it gets me out of a stress if I’m in a stress, and, if I’m in a good place then it will make me in a better place. It’s all about the emotion, it’s all about the feeling where music takes you to and what affect it has on you.
Lolopino: ilikemusic because... I can feel it music in my own heART! <3
dawn Leonetti: ilikemusic because... it makes me spin, giggle and bubble up - kinda my own Rice Crispies cereal ("snap, crackle, pop") in the audio form...
Martin Rowe-Miller: ilikemusic because... it enabled me to win the Motorokrstar UK competition and record with Wyclef and Fergie.
Hard-Fi: ilikemusic because... what else is there to like?!
Remi Nicole: ilikemusic because... It is the best way of making you feel any emotion.
ashutosh: ilikemusic because... whatever journey you're on, you need a sountrack.
Benedict D. Mahon Esq.: ilikemusic because... the wardrobes stop barking when the bass kicks in
Peter Cincotti: ilikemusic because... Of what the world would be without it. It’d be a very scary place. I think we’d all be screwed.
In January of 2001, Johnson's full-length debut, Brushfire Fairytales was released on Enjoy Records; an upstart indie label founded by veteran A&R man Andy Factor and Plunier, who produced the recording. Brushfire Fairytales was an impressive debut on numerous levels: From the opening "Inaudible Melodies"—which seemed to boil Jack's personal philosophy down to a chorus of "Slow down everyone/You're moving too fast"— to the anthemic "Flake," Brushfire Fairytales turned many people across the nation onto Jack Johnson. While opening for Ben Harper's four-month U.S./Australian tour in 2001, Brushfire Fairytales started to build momentum and spread like wildfire among the enthusiastic, music-minded Harper crowd. By the fall, Johnson, along with drummer, Adam Topol, and bassist, Merlo Podlewski, were selling out their own club shows. Within a year of the album's release it had sold 100,000 copies, in January 2003, it went platinum.
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