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DJ Format chats to ilikemusic.com


With 'Seperated At Birth' for example, I first found that flute that goes through the chorus in 1997 or 98 at a record shop in Portsmouth, so you know its just a case of when something really inspires you and you just kinda add things to it, basically that's what I did with that. And then I found that fuzz bass line that goes through it, I found that on another record. It was kinda weird because it had a strange time signature, it was in 5/4 or 7/8, I forget which, but it was certainly a bit of an odd bassline, I had to mess around and replay it a little bit. I felt it was taking shape similar to a 'Here Comes The Fuzz' sort of feel and I was thinking at first it could make a really good instrumental, but I couldn't quite stretch it that far, and when I was looking for Abs and D to do another song for me after '3 Feet Deep' had turned out so well, it just seemed like a natural song to pick. I then went back and reflected on it.
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