Estelle: ilikemusic because... It enables me to get my feelings out and it’s borderline therapy for me. Music makes me feel.
Peter Cincotti: ilikemusic because... Of what the world would be without it. It’d be a very scary place. I think we’d all be screwed.
SnR: ilikemusic because... its food for the soul!
lolo: ilikemusic because... music is where some people display affection, show emotions and actually showing off who they are and their thinking. it is special unlike anything cos it goes out and never comes in back but in others.
Daniel: ilikemusic because... When you can finally stop listening to mainstream so called POP and HIPHOP
artists you laugh at how bad it really is. ROCK ON MUSE
Mutya Buena: ilikemusic because... It’s something I’ve grown up listening to, I enjoy singing I don’t think I know what I’d do without music to tell you the truth. It helps me out in so many ways.
SA: ilikemusic because... myspace.com/sunshineapathy
Kevin Michael: ilikemusic because... I’ve been singing my entire life. I cannot go without listening to it or singing for a day. I wake up to it, I go to sleep to it, I am music.
Damion I.C.E Kyng: ilikemusic because... one day ilikemusic will be writin bout me...
I.C.E gon feed da hood...
www.myspace.com/damionkyng
http://www.soundclick.com/bands/default.cfm?bandID=738592&content=music
To the extent that I'm involved, I'm just constantly acutely aware of where I want to go vocally. So there are times when I might suggest something musically that doesn't step right exactly where the voice is going to be, so instruments are fighting. But, sometimes, you want something peculiar that you get attached to as a vocalist, so you want an arrangement to move a little bit differently.
For example, in New York New York at the end, the area that we retard, that we slow down on "these little town blues" the big build, I wanted it to really move it into slow motion. So all I did was express it all to Chris Walden and he knew exactly what I meant and he explained it to the orchestra. And one of the things about Chris and all great arrangers is that they need to have to have a certain kind of rapport with the musicians. They have to have respect from the musicians, because you're basically trying to direct 50 to 80 pieces and that's a lot of people in a room. So you have to command their respect. But when Chris is done working they all walk up to him and tell him what a pleasure it was to work with him, because he has a demeanour and he has equal respect for all of the great musicians in the room, but he has a way of directing them very respectfully but firmly, 'this is where we're going with this arrangement.'
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Also See: ilikemusic.com