We have 3 copies of his 2nd compilation album: For Lack of A Better Name up for grabs!
Win a copy of his new album Soulbook, a collection of classic 60-70's soul favourites!
Win a pair of guest list tickets to see their headline show, Tue 17th Nov, Heaven, London
RejinaReclusive: ilikemusic because... it helps me remember. It helps me forget. It helps me be strong and it makes me cry. Music screams the words I can't say, the feelings I can't express. It makes my heart feel alive.
Kai, Mystery Jets: ilikemusic because... Music makes me smile.
lorennn: ilikemusic because... its brilliant. music is life. life would suck without music (:
Ciarran, The Feeling: ilikemusic because... I find it constantly inspiring and it’s a joy to listen to and a joy to play; it really is a huge part of my life.
Kevin Michael: ilikemusic because... I’ve been singing my entire life. I cannot go without listening to it or singing for a day. I wake up to it, I go to sleep to it, I am music.
Rob Cremona: ilikemusic because... Cool laid back soul, atmospheric instrumentals and the occasional gospel choirs to lift my soul.
william young: ilikemusic because... The Boat That Rocked started the musical revolution for the musical nation.
Dee Bomb: ilikemusic because... IT CONNECTS WITH YOUR SOUL TO EXPRESS EMOTION.Uyi: ilikemusic because... its relaxing, soothing and its food for the body mind and soul!
It's great, they always wanted to do a remix, so we were like 'well pick whatever you want to do and do it whenever you want.'
ILM: And it comes out sounding brilliant.
Chris: Yeah those guys are very talented indeed.
ILM: Your album hit the UK in April and had 'Hottest Record in the World' and a "Single of the Week" with Zane Lowe. Can you tell us which track you had the most fun to make?
Chris: It was lots of fun doing it. But one that I particularly liked was in Tales from the Forest of Gnomes. We did the first run through and got the drums down and we were all in there together, and then we separated a bit and did different parts, and there was a really good moment when I'd been playing around with a melotron and trying to get this really nice chord progression for the chorus and we'd just laid it down. And Marty just popped in to see what we were doing, and Andrew was saying, 'I've got this new vocal melody for that bit,' and we were playing back the melotron bit and he was singing this new bit and we were like 'Far out! That's so connected. Like we'd independently done these things and then when it came together it was like, 'that's great, that's perfect.'
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