Returns with new single, Amazing Grace! Win a pair of tickets to the single launch party!
PLAIN JANE: ilikemusic because... I LOVE MUSIC AND SINGING
ESPECIALLY BLONDIE...here is why:
http://www.youtube.com/watch?v=7ThE3C59ffw
kayla brooke: ilikemusic because... the lyrics say the words that you cant. And it helps me start out on a good foot everyday =)
Steve, Hard-Fi: ilikemusic because... Life is not worth living without it. Everything else could disappear, but music is the one thing that always remains with me throughout my entire life.
BreadnButter: ilikemusic because... it rocks my world...
Darren: ilikemusic because... It makes me dance like a motherf**ker
paul skinbak: ilikemusic because... its very sexy
Lupe Fiasco: ilikemusic because... It gives me a chance to escape and reach people I wouldn’t ordinarily be able to reach. And without music the world would be kinda quiet.
James, Maroon 5: ilikemusic because... It is a gateway into the present moment.
Josh Ritter: ilikemusic because... It’s like an envelope that I can carry around with me wherever I go and I can unfold the letter at anytime.Following the release of 2009's critically-acclaimed Hmyn Of The Immortal Wind album, instrumental Japanese post-rock legends Mono are set to return to the UK for the following dates.
Tour Dates March 2010
Wed 17/03/2010 - Sco Glasgow Oran Mor
Mon 15/03/2010 - Uk - London The Scala
Tue 16/03/2010 Uk Birmingham - The Asylum
Thu 18/03/2010 Uk Leeds - Brudenell Social Club
After touring almost non-stop for five years, the band hibernated for over a year to focus solely on writing Hymn... The result is their most thoughtful and eclectic album to date. Written and arranged with a hopeful, romantic narrative in mind, the songs string together like chapters in an epic love story. The music is naturally majestic, with MONO's trademark wall of noise crashing beautifully against the largest chamber orchestra the band has ever enlisted. The instrumentation is vast, incorporating strings, flutes, organ, piano, glockenspiel and tympani into their standard face melting set-up.
Recorded to analog tape with long-time friend and producer Steve Albini, there is an intimacy captured here that is at once beautiful and a little terrifying. The creaking of old wooden chairs as the orchestra rocks in their seats (both literally and figuratively), puckered lips rolling along flutes, and even the conductor's opening cue can be heard during the hauntingly quiet opening moments.
Also See: ilikemusic.com