simon f baker: ilikemusic because... you can transcend the confines of the material world with it, it's probably better than shagging in fact. There is virtually nothing more satisfying than when a load of chords and words suddenly come together into a song ; suddenly everything in life seems to fit and make sense once more.
Danny: ilikemusic because... It's my life
ASHUNDA: ilikemusic because... I like positive music for it leads the joys with life
susan rowe: ilikemusic because... it reaches the soul, sooths the mind, speaks volumes, lightens the heart. music is food for my soul.
Murron :): ilikemusic becuase... ITS FRIGGIN AWESOME!! I mean, who can live without music?!
chantell: ilikemusic because... it makes me good.
iona starr: ilikemusic because... it soothes my soul ;) x
Jay Sean: ilikemusic because... It’s the soundtrack to my life.
Sylvia Powell: ilikemusic because... It can make me happy yet it can make me feel sad. It helps me remember, but it can also make me forget. Most of all I like music because it makes me feel alive.Rhino Records have re-issued one of the most consistent and influential music catalogues of the 1980s, that of New Order. All five albums come with bonus discs featuring extended versions, b-sides and remixes, as well as extensive sleevenotes, including interviews with all four band members.
Rising from the ashes of legendary British post-punks Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s. Embracing the electronic textures and disco rhythms of the underground club culture years in advance of their contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful brand of synth pop.
Movement - 1981
Released in 1981, New Order's debut album Movement - produced by Joy Division collaborator Martin Hannett - is the sound of a young band testing new waters after the loss of their singer. The bonus disc features alternative versions and b-sides, with examples of transitional tracks, such as In A Lonely Place and Cries And Whispers, and those that point unequivocally forward as Bernard Sumner finds his own vocal personality, such as non-album singles Everything's Gone Green and Temptation, a song that spanned generations with it's triumphant standout on the Trainspotting OST.
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