Iesha Gadd: ilikemusic because... it's sexily cool. And u can rave to decent tuneage.
Penguin: ilikemusic because... Music is the one thing that really connects people. In the words of The King Blues: music can bring the world together :)
Alistair: ilikemusic because... you can relate to the lyrics and through music you can express your emotions and feelings.
Murron :): ilikemusic becuase... ITS FRIGGIN AWESOME!! I mean, who can live without music?!
lorennn: ilikemusic because... its brilliant. music is life. life would suck without music (:
Steve, Hard-Fi: ilikemusic because... Life is not worth living without it. Everything else could disappear, but music is the one thing that always remains with me throughout my entire life.
Hyperactiveproductions.com.au: ilikemusic because... It's the drug inside me, don't need nothing else to help me...
susan rowe: ilikemusic because... it reaches the soul, sooths the mind, speaks volumes, lightens the heart. music is food for my soul.
Apostolos Melis: ilikemusic because... IT MAKES ME FEEL WONDERFUL
Radiohead's next video would also win 'greatest ever' acclaim. For "Street Spirit," the band teamed with top music video and commercials director Jonathan Glazer. His work includes the video for Jamiroquai's "Virtual Insanity," the Guinness "Surfer" commercial (voted the best ad of all time) and he would then go on to direct movies like Sexy Beast. Glazer's rigorous approach and intensity gelled with Thom Yorke, and the result was a mesmerizing and groundbreaking video. Glazer captured the hypnotic beauty of "Street Spirit" in his understated use of special effects and, in particular, high-speed photography. The still-astonishing trailer park-set video became a big award-winner, including Best Video of 1996 at British music video award show The CADS. Glazer later revealed that Thom Yorke encouraged him to simplify his ideas for the video until the slow motion footage became the backbone of the piece.
Radiohead and Glazer worked together again two years later on the video for "Karma Police." With the director preparing to shoot his first movie, the result was suitably cinematic: it's shot from the viewpoint of a Cadillac driver bearing down on a man staggering down a road, with Thom Yorke in the car's back seat. Something bad is going to happen, but there's a scorching twist in the tale. As with "Street Spirit," the perfectionist Glazer insisted on re-shoots before being satisfied with the results.
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