We have 3 copies of his 2nd compilation album: For Lack of A Better Name up for grabs!
Win a copy of his new album Soulbook, a collection of classic 60-70's soul favourites!
Win a pair of guest list tickets to see their headline show, Tue 17th Nov, Heaven, London
SA: ilikemusic because... myspace.com/sunshineapathy
Dee Bomb: ilikemusic because... IT CONNECTS WITH YOUR SOUL TO EXPRESS EMOTION.
Woody: ilikemusic because... it saved my life... Respect.
Kat Vipers: ilikemusic because... There's not many other things to like.
simon f baker: ilikemusic because... you can transcend the confines of the material world with it, it's probably better than shagging in fact. There is virtually nothing more satisfying than when a load of chords and words suddenly come together into a song ; suddenly everything in life seems to fit and make sense once more.
Patrick: ilikemusic because... Music came from the universe...always finding a way into societies from the beginning of time. I imagine it has always been out there waiting for us to show up. I'm so glad we made it! 
Jade: ilikemusic because... its amazing,, i always gotta listen to music, such as Nelly, Usher, T.I, ect if theres no music what else is there?
Master Gee: ilikemusic because... It gives me an opportunity to truly express myself, unlike what happens in an everyday living situation where there are restrictions on you and limitations on you and demands on you and bills to pay, through music I can truly be comfortable with who I am, and do what I really want to do and say what I really want to say.
Alison Moyet: ilikemusic because... No one gets to choose mine for me.
Watch the blipverts with Quicktime
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Radiohead subsequently collaborated with pioneering CGI artists Johnny Hardstaff, who was given the freedom to make a single video for two tracks, "Pull/Pulk Revolving Doors" and "Like Spinning Plates" (retitled "Push Pulk/Spinning Plates"), and Alex Rutterford, who created a computer-generated Thom Yorke for the promo for "Go To Sleep."
Radiohead have often given talented directors a crucial career opportunity to prove themselves, with often stunning results. Some of the work has challenged viewers' expectations of one of the world's biggest bands, including Ed Holdsworth's hypnotic collection of urban landscapes for "Sit Down Stand Up." But the band has also given established directors the chance to express themselves in a different way.
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