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Muse Black Holes And Revelations (A Biography)


Songs like 'Knights Of Cydonia' would've been twenty minutes long. Going to New York for some reason tightened everything up and it got more groove orientated. Songs like 'Starlight' and 'Supermassive Black Hole' and 'Hoodoo', they all had grooves that radically changed when we went to New York, I don't know if that was the vibe of the city or what."

If Muse sound like a new band on 'Black Holes and Revelations' it's because, after Glastonbury, they are: expanded of mind, settled of spirit and anything but sedentary of sound.

Still, some of this might come as a shock: after opener 'Take A Bow' takes over where 'Absolution' left off - all doomy celestial synths and Matt's preacherish wails of "You will burn in hell for your sins!" - we suddenly rocket off into unexplored quadrants. 'Starlight' is an Abba gig on the moon, 'Map of the Problematique' is Depeche Mode impersonating Queen for a Bond theme and, most surprising of all, 'Supermassive Black Hole' is a dance floor electro-metal stomper, resembling Beck giving Marilyn Manson a helium blowback in Studio 54.
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